← Colors of Life
Juan Rosenfeldt

Juan Rosenfeldt

"Can colors travel backwards into the prism and why is it all so beautiful?"

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Would Untitled work as an artist name? Does the umbrella actually protect the rain from the dry man? Where does the deer jump from? These questions, and many more, are precisely answered by art. Long before I learned to read and write, I sketched islands full of pirates; and flying machines; and unseen worlds. Since then, my travels have blessed my hunger for stories and adventures to interpret in my work. I?ve learned that Nature by far is the unsurpassed teacher. Primitive stories come forth in the reading of a bird?s trail in the sky. For me, watercolor is an exercise in beginner?s mind and infinite heart. I?ve learned that beaches after a storm bring great driftwood. Assemblage resembles the process of a city: disparate thing J u a n R o s e n f e l d t Group Shows 2010-February-A Month of Music- The Loft At Liz?s-Los Angeles, California Assemblages 2009-December-A Song in my Heart-Santa Monica, California Assemblages 2009-August-Diverted Destruction-The Loft At Liz?s-Los Angeles, California Assemblages 2009-May-Nature?s Calling-The Loft At Liz?s-Los Angeles, California Assemblages 2003-June-Open Studios-Westchester Arts Council-White Plains, New York Drawings 2002-June-Open Studios-Westchester Arts Council-White Plains, New York Watercolors 2002-April-Westchester Biennial 02-New Rochelle, New York Video Art 2001-June Open Studios-Westchester Arts Council-White Plains, New York Watercolors 1998-July-Municipal Gallery at Barnsdall Art Center-Los Angeles, California Watercolors 1994-February-FLECHA 94-Madrid, Spain Watercolors Oils Acrylics 1993-December-Caballo de Troya-Madrid, Spain Watercolors 1993-September-Espai Hartung- Es Mercadal, Menorca, Spain Painted Ceramics 1993-July-Arths- Alaior, Menorca, Spain Painted Ceramics 1993-June-Masha Prieto-Madrid, Spain Watercolors Oils 1993-February-FLECHA 93-Madrid, Spain Watercolors Oils Acrylics 1992-December-Caballo de Troya-Madrid, Spain Watercolors 1992-February-FLECHA 92- Madrid, Spain Watercolors Oils Acrylics 1989-December-Seccion Aurea-Madrid, Spain Watercolors Solo Shows 1994-January-Caballo de Troya- Madrid, Spain

Artist

Juan Rosenfeldt

Represented artist

About

J u a n R o s e n f e l d t

Group Shows

2010-February-A Month of Music- The Loft At Liz?s-Los Angeles, California

Assemblages

2009-December-A Song in my Heart-Santa Monica, California

Assemblages

2009-August-Diverted Destruction-The Loft At Liz?s-Los Angeles, California

Assemblages

2009-May-Nature?s Calling-The Loft At Liz?s-Los Angeles, California

Assemblages

2003-June-Open Studios-Westchester Arts Council-White Plains, New York

Drawings

2002-June-Open Studios-Westchester Arts Council-White Plains, New York

Watercolors

2002-April-Westchester Biennial 02-New Rochelle, New York

Video Art

2001-June Open Studios-Westchester Arts Council-White Plains, New York

Watercolors

1998-July-Municipal Gallery at Barnsdall Art Center-Los Angeles, California

Watercolors

1994-February-FLECHA 94-Madrid, Spain

Watercolors Oils Acrylics

1993-December-Caballo de Troya-Madrid, Spain

Watercolors

1993-September-Espai Hartung- Es Mercadal, Menorca, Spain

Painted Ceramics

1993-July-Arths- Alaior, Menorca, Spain

Painted Ceramics

1993-June-Masha Prieto-Madrid, Spain

Watercolors Oils

1993-February-FLECHA 93-Madrid, Spain

Watercolors Oils Acrylics

1992-December-Caballo de Troya-Madrid, Spain

Watercolors

1992-February-FLECHA 92- Madrid, Spain

Watercolors Oils Acrylics

1989-December-Seccion Aurea-Madrid, Spain

Watercolors

Solo Shows

1994-January-Caballo de Troya- Madrid, Spain

Artist statement

Would Untitled work as an artist name? Does the umbrella actually protect the rain from the dry man? Where does the deer jump from? These questions, and many more, are precisely answered by art.

Long before I learned to read and write, I sketched islands full of pirates; and flying machines; and unseen worlds. Since then, my travels have blessed my hunger for stories and adventures to interpret in my work.

I?ve learned that Nature by far is the unsurpassed teacher. Primitive stories come forth in the reading of a bird?s trail in the sky. For me, watercolor is an exercise in beginner?s mind and infinite heart.

I?ve learned that beaches after a storm bring great driftwood. Assemblage resembles the process of a city: disparate thing


In this exhibition

Colors of Life

5 works · 2010


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