← Hidden Treasures

lesley krane

collage, photography, and handstitching

los angeles, california, usaWebsite ↗

I am greatly influenced by concepts of domesticity, the traditions those concepts suggest, and the roles assumed by women who inhabit domestic spaces. Also, I have resigned myself to the fact that I am quite suggestible to the “shoulds" of those domestic roles. Domestic discards and environments inform my collages and photographs and reflect my affection for the subjectivity of personal ritual. After steeping in hot water, a teabag is discarded and forgotten, yet the stains left behind on the translucent skin imitate the exposed grains of silver in a photograph. Reductive abstract compositions, whether handstitched or photographed, emphasize a psychological space beyond their physical dimensions or practical function. Born in Los Angeles, Lesley Krane earned an A.A. degree in Photography at Santa Monica College, got a B.A. in Art at UCLA, then earned an M.F.A. in Studio Art at the University of New Mexico, Albuquerque in 1995. She began teaching Photography in the Art Department at CSUN in 1999 and has been a member of the full-time faculty there since 2002. Committed to the practice of still photography, Lesley teaches her students to have a reverence and sensitivity for the medium. She is a published artist and has exhibited her work at local and national venues.

Artist

lesley krane

los angeles, california, usa

About

Born in Los Angeles, Lesley Krane earned an A.A. degree in Photography at Santa Monica College, got a B.A. in Art at UCLA, then earned an M.F.A. in Studio Art at the University of New Mexico, Albuquerque in 1995. She began teaching Photography in the Art Department at CSUN in 1999 and has been a member of the full-time faculty there since 2002. Committed to the practice of still photography, Lesley teaches her students to have a reverence and sensitivity for the medium. She is a published artist and has exhibited her work at local and national venues.

Artist statement

I am greatly influenced by concepts of domesticity, the traditions those concepts suggest, and the roles assumed by women who inhabit domestic spaces. Also, I have resigned myself to the fact that I am quite suggestible to the “shoulds" of those domestic roles. Domestic discards and environments inform my collages and photographs and reflect my affection for the subjectivity of personal ritual. After steeping in hot water, a teabag is discarded and forgotten, yet the stains left behind on the translucent skin imitate the exposed grains of silver in a photograph. Reductive abstract compositions, whether handstitched or photographed, emphasize a psychological space beyond their physical dimensions or practical function.


In this exhibition

Hidden Treasures

1 work · 2009