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Linda Kunik

Linda Kunik

51 works13 exhibitionsWebsite ↗

The land has always been a reference and source of inspiration for my art. My first paintings were watercolor landscapes. But wanting to work more conceptually, I began to ask questions regarding issues that…

Artist

Linda Kunik

About

Kunik was originally a plein-air watercolorist, but wanting to work more conceptually, she returned to school, earning a BFA from Otis College of Art and Design. Informed by environmental and global issues, Kunik’s abstract paintings began referencing these same issues, prompting a four-year community gardening project, which also explored photography and perception. Thus began her investigation of process: combining photography and painting and a unique emulsion process for photographs.

Kunik has been in more than 100 exhibitions in galleries and museums in California, New York and internationally, including Italy, Germany, Japan, Thailand and Peru. She recently received three Gold Awards and five Awards for Excellence for her work at the Tokyo Metropolitan Museum. She has shown at Art Basel, Art Basel Miami, and Photo LA. Kunik was born in Chicago, Illinois, earning a BA degree from the University of Illinois and an MS from DePaul University. She moved to California in 1978, where she currently resides.

Artist statement

The land has always been a reference and source of inspiration for my art. My first paintings were watercolor landscapes. But wanting to work more conceptually, I began to ask questions regarding issues that combined formalism, globalization and those concerning the environment. These queries led to using both abstraction and representation in an attempt to bring an awareness of the earth’s profound beauty and fragility. However, deciding to do something more proactive about the environment led to a four-year gardening project; one that fed artist/gardeners and built community within a community.

The projects that followed began my investigation of perception using photography, but always viewing it from the eye of a painter. Photographing the garden, I created close up images of the heirloom tomatoes and their insides.

Then began my experimentation with process and perception. The first series realized a life-long dream of combining painting and photography in the same image, using photographs of walls and natural objects from my travels. The second series experimented with emulsion, releasing the translucent image of a photo from its paper background. Current bodies of work use the emulsion technique, in addition to archival pigment prints on Slickrock creating a synthetic three-dimensionality.


Works

Selected works

51 works

Mesa Verde 21
Mesa Verde 21Emulsion Transfer on Dibond
Hope
Hope
Mesa Verde #22
Mesa Verde #22Emulsion Transfer on Dibond
Casalabate #1.03
Casalabate #1.03C Print, Acrylic on Watercolor Paper Mounted on Panel · 30 x 22.5
Mesa Verde #6
Mesa Verde #6Emulsion Transfer on Dibond
Civitella D
Civitella D3 Layers, C Print on Painting, on C Print, Mounted on Panel · 60 x 45
Mesa Verde #7
Mesa Verde #7Emulsion Transfer on Dibond
Havana #1.002
Havana #1.002Gouache painting on Photographic Print on Panel · 10 x 7.5
Mesa Verde #8
Mesa Verde #8Emulsion Transfer on Dibond
San Severino #1.03
San Severino #1.03C Print, Acrylic on Watercolor Paper, Mounted on Panel · 30 x 22.5
Sequoia #1.002
Sequoia #1.002Gouache painting on Photographic Print on Panel · 10 x 7.5
Alcatraz Island
Alcatraz IslandEmulsion transfer on paper · 19.5 x 12.5
Civitella D'Agliano #1.02
Civitella D'Agliano #1.02Emulsion transfer on paper · 41.5 x 30.5
Civitella D'Agliano #1.03
Civitella D'Agliano #1.03Emulsion transfer on Dibond · 24 x 17.5
Pattani
PattaniEmulsion transfer on paper · 41.5 x 30.5
Untitled #3001
Untitled #3001Chromogenic C Print · 30 x 30
Untitled #3002
Untitled #3002Chromogenic C Print · 30 x 30
Untitled #3005
Untitled #3005Chromogenic C Print · 30 x 30
Untitled #3007
Untitled #3007Chromogenic C Print · 30 x 30
Untitled #3010
Untitled #3010Chromogenic C Print · 30 x 30
Eye of the Beholder
Eye of the BeholderArchival Pigment Print
Grotto di Posillipo
Grotto di PosillipoArchival Pigment Print
The Jewel of Capodimonte
The Jewel of CapodimonteArchival Pigment Print
All Causes of Things are Beginnings
All Causes of Things are BeginningsMixed Media on Canvas · 71 x 47
Australian Landscape
Australian LandscapeAcrylic on Panel · 48 x 60
Fireweed
FireweedAcrylic on Canvas · 84 x 60
Juice #1.002
Juice #1.002Archival Pigment Print · 30 x 30
Juice #1.007
Juice #1.007Archival Pigment Print · 30 x 30
Ripe #3.027
Ripe #3.027Chromogenic C-Print · 48 x 48
Roots #1.002
Roots #1.002Acrylic on Panel · 38 x 48
Things Fall Apart #1.004
Things Fall Apart #1.004Mixed Media on Canvas · 50 x 30
Things Fall Apart #1.032
Things Fall Apart #1.032Mixed Media on Canvas · 36 x 48
Things Fall Apart #1.013
Things Fall Apart #1.013Mixed Media on Panel · 60 x 48
Things Fall Apart #1.020
Things Fall Apart #1.020Mixed Media on Panel · 60 x 48
Things Fall Apart #1.033
Things Fall Apart #1.033
Tunnel of Seiano
Tunnel of SeianoArchival Pigment Print
Bound
BoundRoot bound in gold wire in frame · 24 x 18
Bound (detail)
Bound (detail)Root bound in gold wire in frame · 24 x 18
Things Fall Apart #1009
Things Fall Apart #1009Mixed Media on Canvas · 50 x 30
Ascendance
AscendanceArchival Pigment Print · 22 x 16
Mesa Verde #10
Mesa Verde #10Emulsion Transfer on Dibond
Mesa Verde #24
Mesa Verde #24Emulsion Transfer on Dibond
Sunrise
SunriseArchival Pigment Print
Vertigo
VertigoArchival Pigment Print · 22 x 16
Roots
RootsAcrylic on Panel · 48 x 32
Easter Island #102
Easter Island #102Emulsion Transfer on Watercolor Paper
Sequoia 103
Sequoia 103Emulsion Transfer on Dibond
Casalabate Tower
Casalabate TowerEmulsion Transfer on Dibond
San Severino 109
San Severino 109Emulsion Transfer on Dibond
Civitella D'Agliano #104
Civitella D'Agliano #104Emulsion Transfer on Dibond
Sequoia #1.02
Sequoia #1.02Emulsion Transfer on Dibond

The record

Exhibition history

13 exhibitions